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Full Name and Common Aliases

William Robertson Davies, commonly known as Robertson Davies, was a distinguished Canadian novelist, playwright, critic, journalist, and professor. His literary works and insightful commentary have left an indelible mark on Canadian literature and culture.

Birth and Death Dates

Robertson Davies was born on August 28, 1913, in Thamesville, Ontario, Canada, and passed away on December 2, 1995, in Orangeville, Ontario, Canada.

Nationality and Profession(s)

Davies was a Canadian by nationality. Throughout his life, he wore many hats, including those of a novelist, playwright, critic, journalist, and professor. His multifaceted career contributed significantly to the cultural and intellectual landscape of Canada.

Early Life and Background

Robertson Davies was born into a family with a rich literary and journalistic heritage. His father, Rupert Davies, was a newspaper owner and senator, which provided young Robertson with early exposure to the world of literature and journalism. He attended Upper Canada College in Toronto and later went on to study at Queen's University in Kingston, Ontario. However, he completed his education at Balliol College, Oxford, where he earned a Bachelor of Literature degree. This academic background laid the foundation for his future endeavors in the literary world.

Major Accomplishments

Davies' career was marked by numerous accomplishments across various fields. As a novelist, he gained international acclaim for his ability to weave intricate narratives that explored the complexities of human nature and society. His work as a playwright and critic further showcased his versatility and deep understanding of the arts. In addition to his literary achievements, Davies was a respected academic, serving as the founding Master of Massey College at the University of Toronto, where he influenced a generation of students and scholars.

Notable Works or Actions

Robertson Davies is perhaps best known for his trilogy of novels, each of which has become a cornerstone of Canadian literature. The "Deptford Trilogy", consisting of "Fifth Business" (1970), "The Manticore" (1972), and "World of Wonders" (1975), is celebrated for its exploration of themes such as guilt, identity, and the interplay between myth and reality. Another significant series, the "Cornish Trilogy", includes "The Rebel Angels" (1981), "What's Bred in the Bone" (1985), and "The Lyre of Orpheus" (1988), further cementing his reputation as a master storyteller. His works often delve into the psychological and spiritual dimensions of his characters, offering readers profound insights into the human condition.

Impact and Legacy

Robertson Davies' impact on Canadian literature and culture is profound and enduring. His novels have been translated into numerous languages, reaching a global audience and earning him a place among the most respected writers of the 20th century. His ability to blend humor, wit, and intellectual depth in his writing has inspired countless readers and writers alike. As a public intellectual, Davies contributed to the cultural discourse in Canada, advocating for the importance of the arts and humanities in society. His legacy continues to influence contemporary Canadian literature and remains a subject of study and admiration.

Why They Are Widely Quoted or Remembered

Robertson Davies is widely quoted and remembered for his eloquent and insightful observations on life, literature, and the human experience. His ability to articulate complex ideas with clarity and wit has made his quotes resonate with readers across generations. Whether discussing the nature of art, the intricacies of human relationships, or the pursuit of knowledge, Davies' words continue to inspire and provoke thought. His unique voice and perspective have left an indelible mark on the literary world, ensuring that his work and wisdom will be cherished for years to come.

Quotes by Robertson Davies

Robertson Davies's insights on:

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Imagination is a good horse to carry you over the ground—not a flying carpet to set you free from probability.
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The sight of people getting married exhilarates me; I think that they are ding a fine thing, and I admire them for it.
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The egotist is all surface underneath is a pulpy mess and a lot of self doubt. But the egoist may be yielding and even deferential in things he doesn't consider important; in anything that touches his core, he is remorseless.
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Music is like wine..the less people know about it, the sweeter they like it.
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The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion. What is left is theater.
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The really great eccentrics are all inimitable; they are not possessed by a single oddity; they are, in their deepest selves, unlike the generality of mankind.
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I do not 'get' ideas; ideas get me.
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The world is full of people whose notion of a satisfactory future is, in fact, a return to the idealised past.
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Few people can see genius in someone who has offended them.
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She was a romantic, and as I had never met a female romantic before it was a delight to me to explore her emotions. She wanted to know all about me, and I told her as honestly as I could; but as I was barely twenty, and a romantic myself, I know now that I lied in every word I uttered – lied not in fact but in emphasis, in colour, and in intention.
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